Post by Claire Dantin, Conservation intern 2016-17 (NLI’s conservation internship programme is jointly run with the Heritage Council) For a conservator, understanding the original materials of an item before any conservation treatment is essential. I recently conserved 4 albums containing beautiful prints and drawings of Irish castles by James Stark Fleming (1834-1922), a Scottish watercolour artists […]
Tagged as:
antiquarian,
brittle paper,
Conservation,
conservation binding,
conservation of albums,
Heritage Council intern,
Irish castles,
James Stark Fleming,
National Library of Ireland,
Prints & Drawings
The NLI collection is constantly growing. Donations and new acquisitions often need de-framing, conservation treatment or rehousing to ensure long-term preservation and to optimise space and access. It is not always straightforward though, as two 20th century artworks recently showed us to expect the unexpected! This drawing (PD B113) of Arthur Shields is by Isa […]
Tagged as:
Archival materials,
Chinese white,
Conservation,
Crepe rubber,
Henry Love,
Heritage Council intern,
Isa MacNie,
Preservation,
Pressure sensitive tape,
Prints and Drawings,
Watercolour,
Zinc oxide,
Zinc white
Dr. Neassa Doherty (Volunteer NLI Prints & Drawings Dept., 2012 & PhD Graduate, NUIG, 2015) & Louise O’Connor (NLI Conservation Dept.) In 1742, the Dublin engraver and printseller, John Brooks, advertised that a mezzotint print of Hugh Boulter would be printed on “superfine Royal Irish Paper” (see fig. 1). Brooks’ claim to use Irish paper for […]
Tagged as:
Dublin Group,
Francis Bindon,
Hugh Boulter,
irish paper,
Irish paper industry,
James McArdell,
john Armstrong,
John Brooks,
Louise O'Connor,
mezzotint,
Neassa Doherty,
Paper Mills,
Papermakers,
Papermaking,
Portraits,
Printmaking,
Royal Dublin Society,
Samuel Madden,
Strasburg bend and lily,
watermarks