by Margaret O’Brien Moran, PhD researcher I am a postgraduate researcher in the Centre for Media Research at the University of Ulster, Coleraine. Through an historical inquiry into the Poole Photographic Collection at the National Photographic Archive, my study considers the importance of the physical photograph and the impact of digitisation. The Poole Photographic Collection […]
Tagged as:
A.H. Poole,
A.H. Poole Photographic Studios,
Arthur Henri Poole,
Centre for Media Research,
Clonegam,
Curraghmore Estate,
Florence Grosvenor,
Florence Grosvenor Rowley,
George Tooth,
Georgina Tooth,
Glass Plate Negatives,
Holborn Union Workhouse,
John Henry De la Poer Beresford,
Lady Blanche Somerset,
Lady Waterford,
Margaret O'Brien Moran,
Marquess of Waterford,
National Photographic Archive,
Photographic Prints,
Poole Photographic Collections,
Press Picture Agency,
Pricella White,
Waterford
by Jenny Doyle, Digitisation Programme Co-ordinator 42,430 + 12,000 = 11% For those of you with Holmesian standard detection abilities, apologies for this update, as you have probably already noticed something different about the NLI’s catalogue. For those less eagle-eyed or less regular users of our collections, I’d like to draw your attention to a […]
Tagged as:
1798,
Conservation,
Digitisation,
Douglas Hyde Photographs,
Ephemera,
Giraldus Cambrensis,
Gordon Brewster Cartoons,
Grace Gifford,
Jenny Doyle,
Longfield Maps,
Sandymount Strand,
Tuke Collection,
William Wallace,
Wiltshire Collection
by Grace Hall, photography student at DIT I have just completed my third year as a student of photography at the Dublin Institute of Technology (DIT). The course includes not only the practice of photography, in addition to its theoretical and cultural contexts, but also the study of the archive as it relates to photography […]
Tagged as:
Abbey Theatre,
Banshee's Grotto,
Dancing at Lughnasa,
Dublin Institute of Technology,
Fergus Bourke,
Fergus Bourke Collection,
Grace Hall,
Kindred,
National Photographic Archive,
NPA,
Pickaroon